European crime fiction in the crosshairs
n°6 August-September-October 2006

 

>> Readings

A meeting with Richard Deutsch,
in which crime fiction and gastronomy
are discussed at length...

Sophie Colpaert et Richard Deutsch
Translation: Ruth Hemus

• may 2006 •

 

A university academic by occupation, and a great specialist in the Northern Ireland question, Richard Deutsch made his debut in crime fiction in 1999 with a trilogy devoted to Ireland, which is now studied at the University of Cork. Investigations were carried out, at that time, by Hippolyte Braquemare, a professor of Irish civilisation at the University of Rennes, and heavily involved in dealings between Catholics and Protestants. In the third volume, Échec à la Rennes (éditions Terre de Brume, 2000), the author, a former food critic, was already developing intrigue in which food occupied front stage. A lover of fine dining, Hippolyte Braquemare launches himself on the pursuit of an Irish kitchen boy, Seamus O'Laighume, who has been conning his employers, one after the other. Six years later, in 2006, Richard Deutsch has topped this with a gastronome investigator, whose job it is to survey the French provinces, a notebook of fine dining addresses in his pocket.

 

Sophie Colpaert: How did you come up with the idea of this character, who thinks as much with his taste buds as with his neurones?

Richard Deutsch: Good food is an essential preoccupation for us bipeds and so too for me, in my life. One should eat to live, not live to eat, as Molière already said! The history of food is fascinating. To be brief about it, we eat to survive, we cook for pleasure, or we take an interest in gastronomy, in discovering new tastes. I teach several courses at the Jean Moulin University in Lyon – the capital of gastronomy, if there is such a thing – on the history of British cuisine. I can tell you that they are followed attentively and passionately. Yet boiled roast beef can seem dull! This introduction leads us to my character. We think better on a full stomach, we reflect well when the taste buds (and so the brain too) are tickled. After all, business lunches lead successfully to major decisions don't they? So I wanted to create a character who is not directly involved in cookery (he is not a chef, nor a cook) but who knows how to appreciate food. He thinks better when he is at the table, this one, rather than when tapping his forehead, like Colombo, or chewing on those despicable cigars. In my opinion, tobacco destroys the taste buds.

S.C.: Should we see, in your approach, especially in La Bistouille mortelle de Lille , with its story of little freeze-dried food sachets and foie gras in a can, a reaction against the way the food and agriculture industry is going – trying to pull the wool over our eyes, selling us colourings and chemical aromas, instead of fresh produce, and putting pork gelatine in rice pudding? How did we come to this?

R.D.: Of course, it is a reaction, one alarm call amongst so many others. Crime fiction, in my opinion, is the only place left, these days, where one can carry out real social investigation and make arguments to blow the whistle on things, aside from a three-word phrase in the media! I have some difficulty understanding my contemporaries, who no longer have any reaction. And yet they have experienced salmonella, mad cow disease, pig flu, pesticides, bird flu, and more! That should make them think. A note of caution, though, I am not saying that bio is better, because for the moment bio can make your mind boggle, especially when it passes into animals, into large food groups. We have come to this simply because we no longer have the time nor the inclination to cook, no longer have the possibility to grow our greens, etc. … Broadly, the ready-meal is instant gratification, it is the result of a culture of being on the go: getting pleasure immediately, without having to wait. And the consequences? No-one cares! Tomorrow is another day isn't it? I don't believe it: tomorrow is today. One only has to observe obese children in industrial societies, stuffing crisps whilst watching starving children in Africa on the TV. A striking snapshot of our society!

S.C.: The novels are embellished with numerous flashes of eating habits (and not only eating habits) of famous investigators, habits that Hob does not share, who, suddenly, resembles more a ‘ real ' policeman than a fictional investigator. Is this a way, for you, of renewing the genre?

R.D.: It was relatively unconscious, but on reflecting on your question, yes. All characters in detective novels have habits and tics that make them unique. Eating habits have only appeared, say, in the last twenty years or so – as a way of renewing the genre. An then with all the prohibitions that pepper our lives (no tobacco, no alcohol, no sex, no speeding etc …) it has become difficult for authors to create ‘acceptable' characters, for publishers, in the context of our societies, which are obsessed with the ‘correct attitude'!

S.C.: There is a great deal of time spent at the table, in the novels, which is never wasted time, a lot of that calming effect produced by a good meal, whether it is a simple dish or more elaborate cuisine, and yet, surprisingly, there is not much cooking going on. Is this a paradox or not?

R.D.: For the moment, yes, but I am ‘setting up' my character. In other stories, you will see him spending a bit of time at the stove! What is needed, too, is an understanding of the right proportions, to have the reader salivate, without sending him to sleep with lengthy technical details. One of my favourite dishes, which I love to make, is poached oysters. Preparation time: a little more than three hours. Tasting time: three seconds. To tell you the truth, guests don't care about the number of hours spent in the kitchen, they savour it and that's the main thing. It seems to me that it is a similar thing in novels.

S.C.: Will we see Hob leave, one day, on a discovery of foreign food?

R.D.: Hob, who is of a certain age, has been around a bit of course. The next novel will see him in Peking in the 1980s, just after the death of Mao, and under the out-and-out Communists … which doesn't mean the end of excellent Chinese cuisine.

S.C.: Might you envisage devoting a work just to gastronomy, one day, if it hasn ' t been done already?

R.D.: It is tempting! Detective Hob will help me, perhaps, to succumb to it …

 

If you want to get to know Hob better, make a date for the forum ‘Hob, or the impossibility of investigating on an empty stomach' ….


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