European crime fiction in the crosshairs
n°6 August-September-October 2006

 

>> Readings

La balade des épavistes
(Scrap dealers's ballad)

Luc Baranger

ALIRE/Québec • 2006 303 pages

Jacques Lerognon
Translation: Rosine Lang

 

Clovis Reynolds, a former rock music critic, now works in the Maine et Loire, in the scrap yard belonging to Max Rentchler. The atmosphere there is rather gloomy: Max hasn't got over the death of his wife Consuela and Clovis is still haunted by having to confine his daughter Lucy. So when somebody kills their dogs, and then when their new apprentice Mahmoud is kidnapped, Clovis convinces Max to tell him where his problems come from : a few weeks earlier, they've kept a big bag of drugs they found in a wreck. Its real recipient is trying to get it back at all cost. All alone and with nothing to lose, - doesn't Clovis say : «  You know Max, it's hard to admit that you're dead while being yet still alive  » - the two scrap dealers decide to take the problem in their own hands. But an ex-journalist and a scrap dealer are not exactly the best persons to solve kidnapping and drug dealing troubles. The end will be rather chaotic. The reader very soon becomes attached to the characters, Max, the old grumpy gipsy, a survivor of the death camps, and Clovis, the journalist who has seen it all. Their friendship and rough tenderness gives a great human touch to the story. The dullness of this ballad being still underlined by the gray and rainy atmosphere of this Western region of France. A much less rocky novel than the previous ones by this author, the tone of the book is more bluesy, of the kind of blues where guitars cry in the night. Moreover, Luc Baranger takes advantage of the many asides in the narrative to provide us with the ideal sound track to go with the reading of the novel.

PS: Among others, Luc Baranger has already given us the first adventure of Clovis Reynolds in "Backstage" published in 2001 at the La Baleine editions. He is also (among other things) the translator of the hilarious Christopher Moore.


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