European crime fiction in the crosshairs
n°6 August-September-October 2006

 

>> Readings

Bettini, the anti-Grisham

Lei è il mio peccato
(She is my sin)

Marco Bettini

Rizzoli • 2005

Alfredo Colitto
Translation: Cristina Johnston

 

If you had the impression that Grisham's The Broker was perhaps a little fake, set in but a few streets of a rather wooden Bologna, in Lei è il mio peccato/She Is My Sin, you will find everything that was missing from the American novel. A credible city, with many facets, where the emergent Romanian mafia has joined forces with a masonic middle-class determined to defend its own privileges at any cost. A city which is not only made up of its historical centre and monuments, but also of luxurious hilltop villas and decaying areas left to their own devices, where crime prospers unhindered (the novel's Hotel Romania, for example, as well as the place called Hell, are instantly recognisable as real locations which have been at the heart of various news stories relating to Bologna). A very Italian city, where two police forces deal with the same cases, often working in competition with each other without swapping information, and who, in order to justify their separate existence, are forced to divide the city's neighbourhoods into sectors which are alternately patrolled by police and carabinieri , depending on the days of the week. A city, and a nation, in which being a mason is different from what it might be in, for example, Britain.

Lei è il mio peccato is a good and solid novel, full of suspense, which undermines the myth according to which action necessarily entails a lack of depth in the characters. And Bettini's confident style cannot help but increase the reader's enjoyment.

A man – Gianfranco Marozzi, an estate agent – is killed in the gardens of a psychiatric clinic. The owner of the clinic is a building speculator, a member of the middle-class ‘that counts', who tries to place obstacles in the way of the investigations led by homicide chief Paolo Mormino, by making use of all his political and social weight, without excluding violence. At the same time as Marozzi's murder, a carabinieri raid to capture a dangerous Romanian who is on the run misses its target. If there is a connection between the two things, nobody notices it, because the two forces conduct their investigations in isolation. Then, after a second murder, the case is taken away from Mormino and given to the carabinieri . But by now the homicide chief wants to get to the bottom of the case. He has started following a lead which is tied to the porn dvds the deceased made along with lovers and prostitutes. He has met Francesca, Marozzi's lover, who appears in many of the dvds: she is young, provocative, beautiful. Going against all normal procedures, Mormino allows himself to be swept away by the girl's sensuality and he begins a relationship with her, to the dark rhythms of Nightwish's She Is My Sin.

As events rush on, Paolo Mormino, helped by superintendent Comper (a hardcore native of Trento who will never get on in the job because he speaks too much in his local dialect), will have to risk everything, including his own life, in order to unravel the case. And he will do so for various reasons, but perhaps above all because, in his own desire for justice, there is no innocence.

Photos of the novel's setting and other information can be found at www.marcobettini.it


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