European crime fiction in the crosshairs
n°6 August-September-October 2006

 

>> Readings

A four-handed novel

Las cosas de la muerte
(The business of death)

Pablo Bonell Goytisolo / Empar Fernández

Editorial Tropismos • 2006 • 199 pages

Alex Martín Escribá
Translation: Jean Burrell

 

‘He was used to the filthy streets, the overflowing waste-bins, the skips piled high and the pavements where you had to dodge excrement of very varied origins.' That is how the book's two authors define Santiago Escalona, a police inspector who works at the station in Raval, one of the most down-at-heel neighbourhoods in the city of Barcelona.

The plot, which is recounted by an omniscient narrator – like classic crime novels – and is structured the way this kind of story requires, introduces the figure of a character who has to deal with two apparently unconnected cases.

The first turns up in the Poble Sec area, where a woman has fallen from her flat on to the inner courtyard. Escalona has to solve this killing, where the neighbours do not seem to like the victim over-much. As the ‘processes' move forward – as the hero calls them throughout the novel – the reader sees a denouement that is very typical of the genre. At the same time Escalona is investigating the disappearance of an item of Mesopotamian jewellery from a wealthy mansion in Barcelona's upper neighbourhood. The case is complicated by the death of the owner, Señor Canals, which involves the hero plunging into the world of prostitutes, drug addicts and high-class call girls.

All this is set in an intense heat that emphasizes even more the construction of a stifling atmosphere. As the action develops, the hero moves through the neighbourhoods of Barcelona, pointing up the social inequalities. In this way a biting social critique of the system is laid down, which is now quite characteristic of this genre. With this novel – the second by the co-authors Pablo Bonell Goytisolo and Empar Fernández, after Cienfuegos, 17 de agosto – we have an excellent four-handed narrative. We look forward to reading soon of this distinctive character's fresh adventures, since the novel seems destined to become a series because of the question-marks remaining unresolved in the hero's characterization. His successful delineation reminds us of such famous detectives as Enric Vidal or Lluís Arquer de Jaume Funder who passed through the slum areas of the city or Inspector Méndez de Francisco González Ledesma patrolling Barcelona's notorious streets. So we'll be looking out very soon for the inspector's new adventures.


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