El tercer nombre • 2006 • 202
pg.
The
endlessly solitary life of Jaime Areta, a young introverted IT
worker, is radically transformed during one of his morbid internet
searches for pornography, the night he comes across Noela, a girl
he used to be deeply and hopelessly in love with. After several years
with no contact with her nor any news from the group of friends they
belonged to, Jaime finds himself confronted by a past he thought
he had forgotten and which appears now to be present, intensely present,
in the form of blatant carnal photography. Convinced of the fact
that, as the song goes, “there is no worse nostalgia than regretting
what never happened” and aware that life doesn't always give second
chances, Jaime doesn't hesitate to put everything he has into finding
this woman who once obsessed him when she crosses his path again.
The search for Noela's home and for the reasons which have brought
her to take part in the disturbing world of pornography, do not only
bring him back into contact with several friends but also force him
to discover a world of corruption, blackmail, murder and white slave
trade more terrible than a simple exchange of sexual images could
ever have suggested.
Dolls behind the window,
the young Madrid-based author's second novel, begins with this interesting
departure point, a story of action and intrigue which reveals the
more perverse side of new technology. The environment surrounding
crime is changing and it is no longer necessary that detective literature
be about perfect crimes, about majordomos who always have something
to hide or scrupulous politicians obsessed by power and money. In
a world dominated by cybernetic networks and the information society,
novelistic plots must adapt to these new environments in the name
of plausibility and realism which the detective genre habitually
demands.
Although, in certain passages, the plot is a little stereotypical
and not very convincing, with a little conspiracy, characteristic
of some genres of thriller, the reading is easy and enjoyable.
Well structured, with dramatic turns
of event calculated to surprise the reader without becoming a soap
opera, the novel, which would make a good basis for a film scenario,
grabs the reader with the voracity of intense works which demand
to be read in one go. The style of the author perfectly fits the
constant narrative tension of the plot; in turn encircling and
suggestive, becoming rhythmic and direct in the action scenes.
These two registers complement the thematic duality posed by the
novel whose main thread presents two clearly distinct searches.
In addition to the enquiry about the woman's address, which is
presented to the hero via pornographic images of the years after
their final meeting, Dolls behind the window tells
the story of an interior quest with the goal being to give direction
to an escaped past.
Because, although life sometimes gives second
chances, they are never the same as the first.