European crime fiction in the crosshairs
n°7 November-December-January 2006/07

 

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Krimijahrbuch 2006*
Dieter Paul Rudolph (Publisher/Editor)

NordPark Verlag

Kerstin Schoof
Translation: Anne Foster

 

It's hard to believe that this is the first Crime Fiction Yearbook published in Germany since 1990. Why has it been 16 years since we last had a yearbook covering this very popular and best-selling genre?

The answer to this question becomes apparent on reading the wide selection of essays, reviews, interviews, author biographies and analysis of trends collected here by Dieter Paul Rudolph. In his analysis of the crime fiction market (Spaghettification follows period of success), Thomas Wörtche, publisher of Unionverlag's ‘Metro Series', identifies an unprecedented downturn in the fortunes of the genre since the beginning of the nineties. During this time authors like Donna Leon and Henning Mankell have been able to win over respectable publishing houses and help widen the appeal of the crime novel, but at the same time “set back by decades both its aesthetic potential and its potential to explore our understanding of what we know”.

According to Tobias Gohlis, the success of a few major authors has had little impact on the mainly cultural ignorance of the crime novel. This was the main reason why this critic of crime fiction, writing mainly in ‘die Zeit', created the ‘Crime Novel League Table', to bring lesser-known authors to public attention.

With this look at the many recent crime novels set both in Germany and overseas, the Crime Fiction Yearbook 2006 hopes to contribute to the story of detective fiction. With its theoretical essays and author biographies, it is a thorough and interesting record of the state of the crime novel today, both in Germany and beyond.

* Crime Fiction Yearbook 2006


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