European crime fiction in the crosshairs
n°8 February-March-april 2007

>> Readings

The Nazis in Austria

Kalte Monde*
Manfred Wieninger

A Marek Miert novel
Haymon Publishing, Innsbruck-Vienna• 2006 • 235 p. 

Elfriede Müller
Translation : Anne Foster

 

Marek Miert, a former policeman, has changed career, becoming a private detective with little success and few clients. However this, Manfred Wieninger's third book, is not a crime novel, even though the profession of the anti-hero, two related criminal investigations and a few murders are all the hallmarks of one. When the first-person narrator says: ‘I thought to myself: ‘There's never anything really new under the sun'', his words could equally apply to the plot of ‘Kalte Monde'.

Wieninger has produced a readable and cynical novel about Austria and its racism at government level and in everyday life, which Marek Miert talks about with a mixture of sadness and anger. It is set in Harland, Lower Austria which is about as provincial as it gets. Miert is taken on as a bodyguard by a rightwing extremist MP and immediately sets about finding an old cat which is to inherit millions. The allusion to the split in the two rightwing extremist parties the Freedom Party of Austria and the Alliance for the Future of Austria couldn't be more obvious. Wieninger sketches a grim and accusatory picture of their entrenchment in Austrian society. A third investigation, which has nothing at all to do with the other two but which allows the introduction of one of the most sympathetic characters in the book, indicates that Wieninger doesn't only want to write a good crime novel, but wants to shed light on all aspects of Austrian society. An elderly communist woman commissions Miert to find out what happened to her deserter brother in 1945 so that she can give him a decent burial. Then there is a convoluted intrigue which is meant to shake the foundations of the higher echelons of the police force, but which has as little success as the other two narrative threads.

The strongest parts of the novel are those describing the death of a homeless man, set up by the rightwing extremists for whom Miert has been working, and the effect it has on Miert, reminding him as it does of a similar incident in his youth when he intervened to prevent his friend Peter (“as unsubstantial as the dole”) being beaten up by rightwing extremist thugs with chains. But this time Miert doesn't intervene, not even against the newly-formed vigilante group which is taking action against the homeless, Chechen refugee women and immigrants. He looks on helplessly.

Finally there is a murder on a housing estate. A so-called ‘Ripper' is killing women. Miert investigates, the vigilantes step in and everybody except Miert suspect a Yugoslav, who, of course, is completely innocent: “You don't get a killing spree like this everywhere, only here.' There is no sense of tension leading up to the solution, but that doesn't seem to matter in this story. It is a witty and gritty book about the state of Austria , which the author apparently wasn't brave enough to write without relying on the classic structure of the detective novel.

* Cold World


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